Las óleos de todo DOLCI, Carlo


ID Image  Painting (From A to Z)       Details 
6414  
DOLCI, Carlo, Magdalene df
 
 Magdalene df   1660-70 Oil on canvas, 73 x 56 cm Galleria Palatina (Palazzo Pitti), Florence
6410  
DOLCI, Carlo, Portrait of Ainolfo de  Bardi
 
 Portrait of Ainolfo de Bardi   1632 Oil on canvas, 149,5 x 119 cm Galleria Palatina (Palazzo Pitti), Florence
6415  
DOLCI, Carlo, Salome with the Head of St John the Baptist dfg
 
 Salome with the Head of St John the Baptist dfg   1665-70 Oil on canvas, 122,6 x 96,5 cm Royal Collection, Windsor
6416  
DOLCI, Carlo, Self-Portrait dgd
 
 Self-Portrait dgd   1674 Oil on canvas Galleria degli Uffizi, Florence
6411  
DOLCI, Carlo, St Catherine Reading a Book sd
 
 St Catherine Reading a Book sd   Oil on canvas Residenzgalerie, Salzburg
6412  
DOLCI, Carlo, St Cecilia at the Organ dfg
 
 St Cecilia at the Organ dfg   1671 Oil on canvas, 96,5 x 81 cm Gemäldegalerie, Dresden
6413  
DOLCI, Carlo, The Guardian Angel dfg
 
 The Guardian Angel dfg   1675 Oil on canvas Museum of the Cathedral, Prato

DOLCI, Carlo
Italian Baroque Era Painter, 1616-ca.1686 was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci.His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano,



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